Every single novel by Adele Parks has become a UK bestseller and her work has been translated into 26 languages. Talking about her path to publication, her new novel, If You Go Away, and sharing a few writing secrets, Adele joins us now.
Tell us about your latest book.
If You Go Away is set between 1914 and 1918 in Britain and France. Vivian, a young sexually progressive debutante is hurried into a pedestrian marriage to cover a scandal. War breaks out on her wedding day – domestically and across Europe. Her traditionalist husband hurries to take up arms and escape the disappointment of matrimony and Vivian has no alternative than to take up the management and running of his land, after all everyone is required to do their bit. Even pretty, inadequately educated young wives.
In the meantime, Howard, a young brilliant playwright rushes to the front to see for himself the best and the worst of humanity but was not prepared for how horrendous the worst would be. In March 1916, when conscription becomes law, it is no longer enough for him to report on the War, it’s a legal requirement that he joins the ranks. Howard refuses and is arrested and imprisoned as one of the most notorious conscientious objectors of the time. Disarmingly handsome, famous, articulate and informed, he’s a threat to the government.
Howard narrowly escapes a death sentence by agreeing to take essential work on Vivian’s farm. It’s only then he understands what is worth fighting for…Basically it’s a big, fat epic romance and I’m so proud of it and desperate to know what you all make of it!
Where do you find inspiration for your books?
When I was researching Spare Brides, my last historical romance, I stumbled upon the story of conscientious objectors; I’d never given their plight during WW1 much thought. The more I read about it the more interesting I found the topic. COs were in some ways ahead of their time – I mean it is a fact that if everyone put down their weapons, or refused to pick them up then there would be no war – but it seems a very naive, unworkable view. In 1914 it was certainly a very unpopular view. COs haven’t been given much of a voice, in fact they’ve been vilified and dismissed as cowards. I thought I’d try to rectify that via Howard. Vivian is like many young women I’ve met (and perhaps even once was), sometimes she bites off more than she can chew, sometimes she’s underestimated and sometimes she’s a disaster but in the end she’s magnificent! Most of us just need a bit of time. Even though this is set 100 years ago, I think it’s a very modern book. Vivian is gutsy.
Can you tell us a little about your average writing day?
I always say if there’s such a thing as a muse then mine is a working mum as she visits between the hours of 8.30am and 3.30pm i.e. drop off and pick-up, which shows great understanding! I write 5 days a week and at least 1000 words a day. In addition I research, read and also hope to promote the charities I’m interested in, such as The Reading Agency and The Alzheimer’s Society. I try to swim or walk most days to loosen up my back, and minimize my butt!
When you are writing, do you use any famous people or people you know as inspiration?
Yes, I’ve done both. I find inspiration everywhere. You never know where it will strike. I did a talk at a church coffee morning recently to a group of pensioners, I did it as a favour but in fact I was the one who got lucky! There are stories everywhere.
What is your favourite Women’s Fiction book of all time and why?
I really struggle with this sort of question because there really are simply endless brilliant books and the danger is people tend to give safe answers when asked this. I often say Emma because the heroine is feisty and flawed (which is how I like my heroines) but I know that is a safe answer (no one is going to argue with me that Jane Austen knew a thing or two). It’s true that I adore Austen’s ironic, biting comedy of manners; her tales are often thought of as simple love stories yet they are subtle multi-layered social and historical commentaries. In my opinion Austen is responsible for some of the most remarkable characterizations and wittiest dialogues in the English literature. Emma is a charming, brilliant classic but to name one book is to leave hundreds of other magnificent books out in the cold and I feel terrible doing that!
What female writer has inspired you?
Many, many: Jane Austen, Rosamond Lehmann, Vera Brittain, Marian Keyes, Jilly Cooper, Kate Atkinson, Anne Tyler, Joanne Harris…honestly the list is endless. Some are lyrical, hysterical, challenging, educating, entertaining; they are all inspiring.
Can you give us three book recommendations?
I can give you 100s, books are such a joy but if I have to restrict myself I’d say why not try some of the books that I’m happy to read over and over…
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